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Winless Game

from THE FAULT by The Fault

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about

recorded live to 2-track at the Vancouver East Cultural Centre, Dec. 22, 1990

lyrics

You’re my good friend, you’re like a brother to me.
But I am not and don’t want to be.
I’d like your help to find another boyfriend for me.
What kind of deal is that? That’s the last thing I want to see.

Whoa – oa … Whoa – oa …

We walk the town; after all, you know we’re good friends.
Times like these, I wish I knew you less.
Hours on the phone, I tell you all of my life problems.
Don’t mind at all; if only I were one of them.

Whoa – oa … Whoa – oa …

Person B All When will I learn that life is cruel?
My friends tell me that I’m a fool.
I should have known you’re not for me.
There’s other fish out in the sea.

You’re my good friend, just like a sister to me.
That’s not where I’m at, not what I want to be.
I’d like your help to find another girl for me.
What kind of deal is that? The last thing I want to see.

Whoa – oa … Whoa – oa …

When will I learn that life is cruel?
My friends tell me that I’m a fool.
I should have known you’re not for me.
There’s other fish out in the sea.

I know your need. Meet my good friends.
I’m paranoid. Are they your secret agents?

Why oh why do you feel for me this way?
Another turn of the winless game we
play, and
play, and
play, and
play.

credits

from THE FAULT, released March 15, 2021
from THE FAULT, released March 15, 2021
© Mark Reed 1984
recorded live to 2-trk at Vancouver East Cultural Centre: Dec. 1990
Sue Baim: co-lead vocals, guitar
Graeme Chard: co-lead vocals, guitar
Mark Reed: co-lead vocals, keyboard
John White: drums
Rob Marr: BG vocals, bass guitar
The Fault: producer
unknown: engineer
Jordan Koop (Noise Floor Recording Studio): mastering - 2021

license

all rights reserved

tags

about

Mark Reed Victoria, British Columbia

Mark is a songwriter, composer, arranger, and pianist/keyboardist. His music background includes folk-rock and indie-rock bands, some theatre, lots of solo gigs, and, more recently, light-classical piano/string ensembles, orchestral arrangements, and a sci-fi oratorio.

An animal-rights and eco-social justice activist, Mark likes to write from the POV of an objective observer of life on Earth.
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